Sophia Marieke image

Marieke Schraepen & Sophia Bauer

Marieke Schraepen (BE 1995) is an act­ress and the­a­ter maker. Before gra­du­a­ting from KASK dra­ma in 2022, she stu­died European Theater Arts at Rose Bruford College. In 2017, she obtai­ned a bachel­or’s and mas­ter’s degree in phi­lo­sop­hy from KULeuven. In her gra­du­a­ti­on per­for­man­ce Guilty of Love, she and Sophia Bauer and Mats Vandroogenbroeck, she explo­red the cul­tu­ral obses­si­on with sexu­al vio­len­ce. Guilty of Love was per­for­med at Theater Aan Zee 22, among other venues, and will be revi­ved at KVS in 2024.

Marieke see­ks an artis­tic lan­gu­a­ge that embo­dies rather than con­cei­ves. She plays with ste­reo­ty­pi­cal (men­tal) ima­ges and ratt­les them until they fall apart. With humor and love, she attempts to trans­form dif­fi­cult, often pain­ful con­tent and remo­ve it from the realm of taboo. Her bachel­or’s per­for­man­ce Kaddish for M (2020) sta­ged mourning in all its facets and was cre­a­ted in res­pon­se to her mother’s long ill­ness and death. She see­ks cri­ti­cal the­a­ter that can cre­a­te an encoun­ter with the unknown, the stran­ge, the complex.

Together with Sophia, she forms an artis­tic duo. They cre­a­ted Motherbaby (2024) with Kristien De Proost, an abstract musi­cal about the (soci­al) con­no­ta­ti­ons of motherhood.

Marieke also per­forms in the work of others. She appe­a­red as Lola in Een Lola (2021) by Yahya Terryn at Compagnie Cecilia. That same year, she per­for­med in Giants (2021) by Werktoneel. In 2022, she made a brief appe­a­ran­ce as Sonia in Fun Loving Humans by Simon D’Huyvetter & Kopergietery.
Marieke sang for many years in the choir Ingrid’s Angels and was lead sin­ger with the pop band Tricky Business and the jazz and tan­go orches­tra Art Déco.

Marieke is also acti­ve as a the­a­ter tea­cher. She gives work­shops to child­ren at Larf, Wildgroei, and Einstein Atheneum. She wri­tes about the­a­ter and occa­si­o­nal­ly publis­hes with Rekto:Verso. She also works as coo­r­di­na­tor for the third bachel­or’s and mas­ter’s pro­grams at KASK dra­ma.

Sophia Bauer
(DE 1994) is an act­ress and the­a­ter maker. After obtai­ning a bachel­or’s degree in tex­ti­le design, she stu­died dra­ma at KASK School of Arts in Ghent and applied the­a­ter stu­dies at Justus Liebig University in Giessen, Germany. In her gra­du­a­ti­on per­for­man­ce Guilty Of Love, which was shown at TAZ22, among other pla­ces, she explo­red, together with Marie Schraepen and Mats Vandroogenbroeck, the ero­ti­ci­za­ti­on of sexu­al vio­len­ce in our col­lec­ti­ve ima­gi­na­ti­on. Guilty of Love will be revi­ved in 2024 at KVS.

Sophia’s work reveals a deep com­mit­ment. She is fas­ci­na­ted by the cul­tu­ral and soci­al con­struc­ti­on of femi­ni­ni­ty’ and attempts to give it a new twist with cou­ra­ge and humor. In her bachel­or’s the­sis And then you fuck­ed me into being — post-coi­tal let­ters (2020), a cor­res­pon­den­ce with Anna Franziska Jäger accom­pa­nied by texts by Daniel Paul Schreber, she won­ders what love for a woman means in a world of hete­ro­s­exu­al desire. 

She forms an artis­tic duo with Marie Schraepen, whom she met during her stu­dies. Together with her and Kristien de Proost, she cre­a­ted Motherbaby, a sung per­for­man­ce about the sky-high expecta­ti­ons pla­ced on mothers​.In addi­ti­on to her own per­for­man­ces, Sophia regu­lar­ly per­forms in other peo­p­le’s work. She gai­ned her first pro­fes­si­o­nal expe­rien­ce as an act­ress in De Dieren (2020), direc­ted by Geert Belpaeme. She then appe­a­red as a per­for­mer in Newpolyphonies by Myriam van Imschoot & HYOID (2020). In 2021, she per­for­med in Giants by Werktoneel. Recently, she play­ed the role of Albertinette in Operette (2021), a per­for­man­ce by Timeau de Keyser & Tibaldus. Sophia also wri­tes and per­forms songs, for example at De ver­lei­ding van het woord (The tempta­ti­on of the word) in youth the­a­ter Larf.

Outside of her artis­tic prac­ti­ce, Sophia is gai­ning expe­rien­ce in the heal­th­ca­re sec­tor. As a stu­dent, she wor­ked in various reti­re­ment homes and now works part-time as a coun­se­lor for child­ren in care at Minor N‑Dako, Brussels. For Sophia, the move to the soci­al sec­tor is an impor­tant addi­ti­on to her the­a­ter prac­ti­ce: the neces­si­ty in her artis­tic work stems from this.