Shiraz, tell me about the revolution?

KWP production

In 1945, the first uni­ver­si­ty opens in Shiraz.

In 1963, women in Iran are allo­wed to vote for the first time.

In 1971, the Shah orga­ni­zes the most expen­si­ve and lar­gest par­ty in his­to­ry.

In 1979, eve­ry­o­ne took to the streets. The Islamic Republic of Iran was pro­clai­med.

In 1990, I was born.

In 2015, I will – per­haps – beco­me Belgian.

In 2018, I will – per­haps – beco­me Belgian.

In 2019, I will – per­haps – beco­me Belgian.

In Shiraz, tell me about the revo­lu­ti­on? Farbod tra­ver­ses the dif­fe­rent worlds in which he grew up and random­ly supe­rim­po­ses them on top of each other. He mer­ci­les­sly dis­sects the two sys­tems that made him who he is. He shows us the rea­li­ty of govern­ment agen­cies that redu­ce him — and count­less others — to pawns of struc­tu­res. It beco­mes pain­ful when his human enthu­si­asm clas­hes with the power struc­tu­res’ attempt at objectivity.

Coaching: Michiel Soete en Benjamin Op de Beeck | Licht: Bas De Vos | Techniek: Amber van Rooijen/​Gregor Van Mulders | Kostuum: Anne-Catherine Kunz | Dramaturgisch onder­zoek: Dries Douibi | Productie: Kunstenwerkplaats | Co-pro­duc­tie: Kunstenwerkplaats, d e t h e a t e r m a k e r, BUDA, Vooruit, ARSENAAL/LAZARUS | Gekiemd in: TransfoCollect | Met dank aan: Bâtardfestival, Johan Dehollander, Aurelie Di Marino, Tine Van Aerschot en Lukas Stallaert. 

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