Playing Works (wor­king title)

Residencies

  • 26.05 > 31.05.2025

Anouk Friedli and Barbara T’Jonck are the­a­ter makers with a curi­o­si­ty about the pre­ci­se con­di­ti­ons for the smooth run­ning of a cocre­a­ti­ve making pro­cess in the (per­for­ming) arts. Could the­se con­di­ti­ons take the form of a (fun) game?

With Playing Works (wor­king tit­le), Anouk and Barbara go in search of the rules of a game for a more demo­cra­tic and transpa­rent cocre­a­ti­ve making pro­cess. This resi­d­en­cy at Kunstenwerkplaats is the first step in their research. They won­der if they can make the cru­ci­al moments of a cocre­a­ti­ve pro­cess in the arts mana­ge­a­ble with game tech­ni­ques. Game tech­ni­ques that pro­vi­de gui­ding fra­me­works to trans­form rela­ti­ons­hips, res­pon­si­bi­li­ties, dif­fi­cul­ties into acti­ons and con­struc­ti­ve con­ver­sa­ti­on. By no means do they hope for an unt­ou­cha­ble game. Playing Works is a game that can grow with and through other cocre­a­ti­ve making pro­ces­ses. Think of a deck of cards whe­re the play­ers them­sel­ves can always add or remo­ve cards accor­ding to the needs of the situ­a­ti­on, the group and the pro­cess.

After all, cocre­a­ti­on is not only about a good end result but also about the path towards it. The pro­cess does not rely only on the geni­us ide­as of one direc­tor but, abo­ve all, on the acti­ve invol­ve­ment of all the other peo­p­le who par­ti­ci­pa­te in the cre­a­ti­on. Often, howe­ver, such a cocre­a­ti­ve path turns out to be a stressful war of attri­ti­on full of con­fu­si­on and (uns­po­ken) dis­agree­ments that are for­got­ten as soon as the result is well recei­ved — it was worth it!”. And so eve­ry­thing starts all over again, or, in the other case, work rela­ti­ons­hips (and friends­hips) break down. That feels wry when the inten­ti­on to co-cre­a­te was the pro­mi­se at the begin­ning. A pro­mi­se that per­haps had no con­cre­te con­tent yet, becau­se what does co-cre­a­ti­on real­ly mean? And does it mean only one thing?

con­cept en onder­zoek: Anouk Friedli & Barbara T’Jonck