Sana Ghobbeh The wall grows at the root performance web

Sana Ghobbeh

Sana Ghobbeh is an Iranian-born artist and artis­tic researcher based in Brussels. Her work exa­mi­nes the life and the impact of spe­ci­fic sites of infra­struc­tu­re, often situ­a­ted in Iran. In her trans­dis­ci­pli­na­ry appro­ach, Sana inte­gra­tes insights from her stu­dies in archi­tec­tu­re and research methods devel­o­ped as a visu­al artist into a per­for­ma­ti­ve sto­ry­tel­ling practice.

Sana stu­died Architecture in Tehran and recei­ved a master’s degree in Fine Arts in Sweden. She wor­ked as a research assis­tant at Umeå uni­ver­si­ty of Architecture, befo­re moving to Brussels in 2016.

Her works focus on our inter­ac­ti­on with par­ti­cu­lar archi­tec­tu­ral ele­ments and how a per­for­mer can enga­ge with dis­rup­ted urban spa­ces and trans­form them into an evol­ving con­text of enga­ge­ment. Aided by con­cre­te spa­ti­al instal­la­ti­ons on sta­ge, that trans­form as each web of sto­ries unfolds, Ghobbeh evo­kes the pas­sing of major soci­al events, small sub­ver­si­ve gestu­res, and the tra­ces the­se left in the urban fabric. Can new nar­ra­ti­ves rise up by tra­cing the­se moments of dis­rup­ti­on, inter­rup­ti­on, and poetry?

In this long-term research, Performing Spaces — an explo­ra­ti­on on urban struc­tu­res and their inner nar­ra­ti­ves —, Sana inter­wea­ves lay­ers of archi­val docu­men­ta­ti­on, indi­vi­du­al memo­ries, anec­do­tal inter­views, minu­te details, his­to­ri­cal facts, and per­so­nal ima­gi­na­ti­on. Through this mul­ti­fa­ceted appro­ach, she aims to pro­vi­de not only an infor­ma­ti­ve, map­ped under­stan­ding of a pla­ce but also a tan­gi­ble sen­se of the often-over­loo­ked poli­tics and poe­tics that inha­bit the­se spaces.

As part of this inves­ti­ga­ti­on, Sana Ghobbeh cre­a­ted the per­for­man­ces This wall grows at its roots” and The fer­ris wheel turns when the wind blows”. She then got grant sup­port for the Sugar CUBES pro­ject, a research into the his­to­ry of sugar pro­duc­ti­on, sha­pes, and the indu­stri­al ties bet­ween the sugar indu­stries of Belgium and Iran. This led to the cre­a­ti­on of the per­for­man­ce These roots never blos­so­med” pre­mie­ring at Beursschouwburg in spring 2025.