Inga Huld Hákonardóttir is a cho­re­o­grap­her, dan­cer and per­for­mer, born in Iceland and based in Brussels from 2009. After gra­du­a­ting from P.A.R.T.S in 2014 Inga has been cre­a­ting per­for­man­ces for the the­a­tre as well as recent­ly tra­ver­sing into the con­text of exper­mi­men­tal con­cert venues. Her work gener­al­ly focu­ses on see­king fric­ti­on bet­ween the sym­bo­lic and the sen­so­ri­al. In Again The Sunset, cre­a­ted with musi­cian Yann Leguay, unu­su­al mate­ri­als are pre­sen­ted as instru­ments and the­se instru­ments are put in con­ver­sa­ti­on with the moving body and vocal expres­si­on. Inspired by the art of Foley, an expe­ri­men­ta­ti­on with objects and mate­rals in rela­ti­on to the body is also pre­sent in her works with Rósa Ómarsdóttir such as in The Valley, Wilhelm Scream, and Da Da Dans. Her most recent work Neind Thing pro­po­ses a quest for nothing­ness, through forms of posi­ti­ve rejec­ti­on as reac­ti­on to an omni­pre­sent over­load and over­sti­mu­la­ti­on. As a per­for­mer Inga has wor­ked with and per­for­med in works of cho­re­o­grap­hers and authors such as Phia Ménard, Salva Sanchis, Erna Ómarsdóttir, Eleanor Bauer, Veli Lehtovaara, Gabel Eiben. Rósa Ómarsdóttir, Katie Vickers and Rebecka Stillmann. She has also col­la­boar­ted in pro­jects ini­ti­a­ted by ICTUS con­tem­po­ra­ry music ensemble.