Julien Fournet PORTRAIT 4 Photo 25401 Pierre PLANCHENAULT

Julien Fournet

For more than fifteen years, Julien Fournet has been devel­o­ping hybrid artis­tic pro­jects that com­bi­ne per­for­ming arts, play­ful con­cepts, inter­ac­ti­ve instal­la­ti­ons, and per­for­ma­ti­ve rea­dings. In his work, he explo­res the rela­ti­ons­hips bet­ween art, play, and col­la­bo­ra­ti­on by devi­sing new forms in which the audien­ce often plays an acti­ve role rather than mere­ly wat­ching. The pro­duc­ti­ons he has col­la­bo­ra­ted on have been pre­sen­ted in numerous the­a­ters, at fes­ti­vals, and in art insti­tu­ti­ons across Europe and beyond, nota­bly in France, Belgium, the Netherlands, Portugal, Germany, Italy, Poland, Brazil, and Japan. After stu­dying phi­lo­sop­hy and gai­ning diver­se artis­tic expe­rien­ce — inclu­ding balls, city walks, caba­rets, and open-air per­for­man­ces — he cre­a­ted the show Cheval in 2007 together with Antoine Defoort, which was per­for­med at the Avignon Festival, among other venues.


This expe­rien­ce mar­ked the begin­ning of a jour­ney dedi­ca­ted to the per­for­ming arts and expe­ri­men­ta­ti­on with artis­tic forms at the inter­sec­ti­on of per­for­man­ce, play, and col­lec­ti­ve research. His work today devel­ops along two com­ple­men­ta­ry tracks:
The first appro­ach is col­lec­ti­ve, epic, and expe­rien­ti­al: it takes the form of site-spe­ci­fic instal­la­ti­ons in which the audien­ce is invi­ted to play, dis­co­ver, or par­ti­ci­pa­te in artis­tic adven­tu­res — tre­a­su­re hunts, mazes, car­ni­vals, or a per­for­man­ce pack­a­ge (France Distraction, 2012 – La Chasse, 2015 – On tra­ver­se­ra le pont…, 2017 — L’Enfance majeu­re, onder­zoek 2022 – 2025)
The second appro­ach is more soli­ta­ry and reflec­ti­ve: through sta­ged rea­dings or uni­que art objects, she explo­res phi­lo­so­p­hi­cal ques­ti­ons rela­ted to joy, con­texts, or poli­ti­cal ima­gi­na­ries (Le Jeu de l’oie du spec­ta­cle vivant, 2013; Les Thermes, 2015; Amis il faut fai­re une pau­se, 2016 – 2020; La for­ce poli­ti­que de l’enfance, 2025).
These two appro­a­ches — col­lec­ti­ve and spe­cu­la­ti­ve — together form a sin­gle artis­tic inquiry: cre­a­ting situ­a­ti­ons that can unfold rea­li­ty in a dif­fe­rent way, through expe­rien­ce, play, and sha­red thin­king.

Julien Fournet is also a co-foun­der of L’Amicale, a coo­p­e­ra­ti­ve for the pro­duc­ti­on of artis­tic pro­jects esta­blis­hed in 2010. Over the years, this orga­ni­za­ti­on has devel­o­ped various tools and methods inspi­red by col­lec­ti­ve intel­li­gen­ce, with the aim of rene­wing forms of col­la­bo­ra­ti­on in the art world and expe­ri­men­ting with more hori­zon­tal and col­la­bo­ra­ti­ve cre­a­ti­ve forms.

In addi­ti­on to his own cre­a­ti­ons, he also devel­ops pro­jects for hybrid artis­tic events, often focu­sed on hos­pi­ta­li­ty and col­lec­ti­ve dyna­mics, nota­bly within the fra­me­work of the Effervescences fes­ti­val in Clermont-Ferrand (2017 – 2019) or through for­mats such as Les Rendez-vous Secrets or Le Grand Marché, which were esta­blis­hed in col­la­bo­ra­ti­on with various cul­tu­ral insti­tu­ti­ons in France and Belgium.