Paula Almirón was born in Buenos Aires and lives and works in Brussels. Her prac­ti­ce unfolds at the inter­sec­ti­on of cho­re­o­grap­hy, wri­ting and geo­lo­gy, focu­sing on the con­stant intra-acti­on bet­ween the soci­al, the spi­ri­tu­al and the geo­lo­gi­cal worlds. 

She obtai­ned a Master’s degree in ISAC, Brussels (2019). Previously, she stu­died a BFA in Theatre at the National University of the Arts (2007) and the dan­ce pro­gram Arte XXI (2008), both in Buenos Aires. She recent­ly gra­du­a­ted from a for­ma­ti­on on Fascia & Somato-Psycho-Pedagogy (2024, Body Mind Academy).

Since 2019, she has been wor­king around the noti­on of ​‘water cho­re­o­grap­hies’. Her works Always Coming Hole (2021) and The River and The Devil (2025) emer­ged in rela­ti­on to a deser­ti­fying group of bodies of water from the Bolivian Andean pla­teau. In this fra­me, she’s cur­rent­ly inves­ti­ga­ting blood-cho­re­o­grap­hies and liquid writing.

She col­la­bo­ra­tes with Wouter De Raeve in the pro­ject I Build My Language With Rocks, in the Northern Quarter in Brussels. They coo­r­di­na­ted M33, a spa­ce devo­t­ed to the local move­ments of the neigh­bor­hood, and they cura­ted Swamp Sacrifices, a pro­gram around the rela­ti­on bet­ween the swamp of Brussels and the noti­on of non-productivity.

Paula works as a dan­cer, cho­re­o­grap­her, men­tor, out­si­de eye and tea­cher, col­la­bo­ra­ting with Louise Vanneste, David Weber-Krebs, Wouter De Raeve, Eliane Bertschi, Diana Szeinblum, and others. 

Her work has been shown at Bâtard Festival (Brussels), Veem House for Performance (Amsterdam), Kanal-Centre Pompidou, Kunsthalle Zurich, Munar Arte (Buenos Aires), Kunsthaus Zurich, Teatro 25 de Mayo (Buenos Aires), Sala de Belleza (Bogotá), among others.

www​.pau​la​-almi​ron​.com